Soy Tu Madre. I See You.

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Because I’m your Mom, it counts the most, because I know you the most.”
— Isabel in Wonder

I remember the first time I felt seen by my mom. It was a random Saturday when I was seven or eight. “A girls’ day,” she called it. I don’t remember all the details of that day. I know we had lunch out, and likely went shopping, possibly buying some new clothes for me. It is the feeling that stayed with me—the feeling that I mattered. Being a middle child of six, and the only girl, my Mama knew I needed to be known, she knew I needed to feel seen.

In the 2017 film Wonder, America’s beloved Julia Roberts plays Isabel, an ordinary Manhattan mom who gives up completing a master’s thesis to homeschool her special needs son, Auggie. Wonder begins as Auggie starts a new and terrifying journey—middle school. For the first time Auggie and his family learn to navigate friendships with children who often cannot see past Auggie’s physical differences. Being seen and known by his family gives Auggie the courage to go to school each day, but being unseen (ignored) and unknown leaves his older sister, Via, swimming in isolation as she starts high school. In the film, Isabel’s growth as a mother is not about rediscovering her life or finishing her education, as one would expect. It is putting to practice what she already does so well with her son—learning to see and know her teenage daughter.

In a post-modern, justice and truth driven Christianity it can be easy to overlook a hidden task force for God’s kingdom that quietly, and often thanklessly, works each day shaping and changing culture. This task force? Mothers and grandmothers—the women who birth and raise children to know and love God.  Mothers as culture-makers is not a new concept, but an ancient, biblical one, reflected in the abuelita theology of the Latinx church.

Abuelita theology elevates the influence of women in the passing on of faith. Dr. Miguel A. De La Torre defines abuelita or “kitchen theology” as an understanding of the role mothers and grandmothers take in the “transmission” of beliefs and practices in the Latinx community.[1] This informal education happens in the most ordinary place—en casa. Latina scholars Loida I. Martell-Otero, Zaida Maldonado Perez, and Elizabeth Conde-Fraizer highlight the importance of this home environment, in their book, Latina Evangélicas. Latina theology is deeply rooted in the “’womb’ of daily life.”[2] More than a set of correct beliefs or practices, abuelita theology is an approach to faith formed within the community of a marginalized people, and is consequently rooted in “lo cotidiano,” the struggles of the day to day life historically faced by US minorities. Abuelita theology cannot help but be practical, as the effects of poverty and discrimination necessitate a livable faith.

In his new book, Brown Church, Robert Chao Romero suggests the Exodus story reflects the strength and influence of matriarchs.[3] The beginning chapters of Exodus reveal God’s people in a precarious place. Enslaved in Egypt, the Israelites population growth and potential power was concerning to Pharaoh. He commanded the Hebrew midwives to kill male infants as they assisted in deliveries. Fearing God, these women continued to help Hebrew mothers successfully birth their sons. As the Israelites grew in numbers, Pharaoh declared to all people that male Hebrew infants should be thrown in the Nile. Exodus 2 introduces us to Jochebed, a Hebrew mother: “The woman conceived and bore a son; and when she saw that he was beautiful, she hid him for three months.” Jochebed allowed her son to live. Three months later she submitted him to God’s sovereignty by placing him in a basket in the river, and dispatching her daughter to watch and wait. Moses was found, given favor, and raised in the house of Pharaoh. Later in his life, he would become the deliverer God had ordained for His people.

We are left to wonder what Jochebed saw in her son. The word translated “good,” or also “beautiful” in Exodus 2:2, does not give us a clear understanding of her thinking. In Stephen’s speech to the Sanhedrin in Acts 7 we learn that Moses was “lovely to God.”[4] Did Jochebed have an inkling of her son’s future purpose? Did God reveal his set-apartness to her? Or did she simply see and know her child, and that was enough. In both the darkest adversity, and the daily struggle as a member of a marginalized people, Jochebed influenced the world through her motherhood. The future of God’s people was secured by the faithful obedience of many women—and one mother who saw her son.

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Joechebed’s story introduces the power of “lo cotidiano.” It is in the struggle of life that Jochebed’s choices as a mother take shape. Romero explains how this daily struggle is typified in Latinas: “Though many may look down upon our mothers, tías, and abuelas for their daily commutes on the bus, travails in domestic and factory work, exhausting familial responsibilities, and faithful church participation…it is precisely in the daily rhythm and grind of lo cotidiano that unique theological and epistemological understandings flow.”[5] This daily grind, lived out by every mother, is amplified in the life of the stay-at-home mom. The home becomes that “womb of daily life” that allows the child and mother to experience a reciprocal relationship of seeing and being seen.

Mothers and abuelas en casa create environments where the lives of children matter. In daily conversations, responses, sacrifices, and challenges, mom becomes a disciple maker and the children the disciples; the home is a safe space of shared experiences. Through this day in-day out proximity, stay-at-home moms create with their children a unique opportunity to both shape and be shaped. A mother sees her child each day in present circumstances, but as Jochebed and Isabel, also with a heart full of future hopes. Out of love, knowledge, and hope mothers speak into the lives of their children with the intent to shape whole and holy people. This relationship is reciprocal, as children also see their mothers up close. This allows space for immediate questions and conversation, as a child watches mom deal with “lo cotidiano.” This vulnerable relationship, when embraced, also sharpens the mother’s conviction and character. In the most mundane moments—over diaper changes, tearful shoe tying, math homework, fights over music choices, marital disagreements, and requests for forgiveness—mothers model godliness and shape the next generation of the Church, while also experiencing growth themselves.

In abuelita theology, the Latino community gifts the global church with theological language—words and imagery to honor the critical role of mothers and grandmothers in the propagation of the Christian faith and the strengthening of the Church. Possibly, like me, you expect women to cultivate an identity outside of being a mom. The progression of time and culture have shown us that women can successfully raise a family and pursue education or a career. I have this conversation with friends often: how we are eager to bring truth to our cultures, build the church, and share the gospel with our communities, but we also want to have strong families. As culture-makers who are working from the ground up to bring the beauty, justice, and wonder of the Cross to the world, we can lose sight of our strongest ministry partners—mothers.

In a concluding scene of Wonder, Julia Robert’s character Isabel attends her daughter Via’s play. Forgetting her glasses, Isabel strained to see Via enter the stage. Determined not to miss this special moment, Isabel took her husband’s glasses and watched the entirety of the play leaning forward to see her daughter perform. Shocked by the talent and beauty of her own child, the glasses did more than allow Isabel to see Via act, they helped Isabel realize she had not been truly seeing her daughter. It was finally being seen by her mom that gave Via the confidence she needed to face the world outside her home. Isabel and Via were changed and so was the world around them through their strengthened relationship.  

Today we stop to honor motherhood—the women, mothers and grandmothers, who have birthed and shaped our lives. Theirs is a faith defined by labor and sacrifice, and a love that chooses to see and know as God sees and knows. While many of us labor as pastors, teachers, writers, artists, advocates, thinkers, and activists, trying to make new the world in which we live—these women labor alongside us, creating and nurturing life that is new, young, and vulnerable. Today we stop to honor the women who see.

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About Emily C. Alexander

A first generation college graduate of a rural working class family, Emily C. Alexander recently completed her undergraduate degree in Ministry to Women at the Moody Bible Institute. Emily lives in Chicago where she enjoys long walks admiring architecture and pondering theological and sociological issues. Her hope is to impact the lives of women and the flourishing of the church through thoughtful theological engagement.


Footnotes

[1] Hispanic American Religious Cultures, De La Torre, 347.

[2] Latina Evangélicas, Martell-Ortero, et. all, pg. 6.

[3] Romero, 211

[4] Acts 7:20

[5] Romero, 317